Robert Levin

Robert Levin

Piano 2024

Jury 2024


Pianist and conductor Robert Levin has performed throughout the United States, Europe, Australia and Asia, appearing with the orchestras of Atlanta, Berlin, Birmingham, Boston, Chicago, Cleveland, Detroit, Los Angeles, Montreal, Philadelphia, Toronto, Utah and Vienna on the Steinway and with the Academy of Ancient Music, the English Baroque Soloists, the Handel & Haydn Society, the London Classical Players, the Orchestra of the Age of Enlightenment and the Orchestre Révolutionnaire et Romantique on period pianos. Renowned for his improvised cadenzas in Classical period repertoire, Robert Levin has made recordings of a wide range of repertoire for Bridge, DG Archiv, Decca/London, Deutsche Harmonia Mundi, ECM, Hänssler, Hyperion, Klavierfestival Ruhr, Le Palais des Dégustateurs, New York Philomusica, Philips and SONY Classical. His recordings include Bach’s complete keyboard concertos, the six English Suites and both books of the Well-Tempered Clavier (Hänssler Edition Bachakademie); a Mozart concerto cycle with Christopher Hogwood and the Academy of Ancient Music for Decca/Oiseau Lyre; the Beethoven concertos with Sir John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique for DG Archiv; the complete piano music of Dutilleux for ECM; Bernard Rands’ Preludes and Impromptu for Bridge; and the complete Beethoven sonatas and variations for fortepiano and ’cello with Steven Isserlis for Hyperion. Recent releases include the six Bach Partitas (Grand Prix International du Disque) and the complete Schubert piano trios with Noah Bendix-Balgley and Peter Wiley (Le Palais des Dégustateurs), and the complete Mozart sonatas on Mozart’s Walter piano (ECM).

A passionate advocate of new music, Robert Levin has commissioned and premiered numerous of works, including Joshua Fineberg’s Veils (2001), John Harbison’s Second Sonata (2003), Yehudi Wyner’s piano concerto Chiavi in mano (Pulitzer Prize, 2006), Bernard Rands’ Preludes (2007), Thomas Oboe Lee’s Piano Concerto (2007), and Hans Peter Türk’s Träume (2012).

Robert Levin has long performed and recorded with violist Kim Kashkashian. He appears frequently with his wife, pianist Ya-Fei Chuang, in duo recitals and with orchestra, and with cellist Steven Isserlis. A noted Mozart scholar, Mr. Levin’s completions of Mozart’s Requiem and other unfinished works have been recorded and performed throughout the world. In 2005 his completion of the Mozart C-minor Mass, commissioned by Carnegie Hall, was premiered there and has since been widely heard in the United States and Europe. He has been an artist teacher at the Sarasota Music Festival since 1979 and was its Artistic Director from 2007-2016. A member of the American Academy of Arts and Sciences, honorary member of the American Academy of Arts and Letters, and member of the Akademie für Mozartforschung, he is President of the International Johann Sebastian Bach Competition (Leipzig, Germany). He was awarded the Bach Medal of the City of Leipzig in 2018. From 1993 to 2013 he was Dwight P. Robinson, Jr. Professor of the Humanities at Harvard University and is presently Visiting Professor at The Juilliard School.

© Photo: Clive Barda

The CMIM thanks the members of the Jury’s circle who contribute to making it possible for the international jury to come to Montreal: Guy Breton, Colabor, Huguette and Jean-Louis Fontaine Foundation, Marie-Carole Pinard, and Marc Vanasse.


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The Piano 2024 jury is housed at the Ritz-Carlton – Montréal