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Finalist<\/span><\/strong><\/p>\n CMIM Grants for Unranked Finalists<\/span><\/strong><\/p>\n Michael has been playing the violin since the age of six as a member of a family of musicians. He has won scholarships from the America-Israel Cultural Foundation since 2013 and recently won the 2nd prize in the International Fritz Kreisler Competition in Vienna. In 2019, violinist Vadim Gluzman granted Michael a scholarship from the Arkady Fomin Foundation.<\/p>\n Michael has performed as a soloist with the Israel Philharmonic, the Jerusalem Symphony Orchestra, and other major orchestras in Israel. Since 2019, Michael has been studying at the Curtis Institute of Music in Philadelphia with Shmuel Ashkenasi and Ida Kavafian. In Israel, he studied at the Israeli Conservatory of Music in Tel Aviv with his father Hagai Shaham and Guy Figer and is an alumnus of the Jerusalem Music Centre. Michael performs on a violin by Santino Lavazza, Milan c1714, on loan from The Ryuji Ueno Foundation and Rare Violins In Consortium, Artists and Benefactors Collaborative.<\/p>\n <\/p>\n Principal teachers<\/span><\/b> \u00a0<\/span><\/p>\n \u00a0<\/span><\/p>\n Major Competitions<\/span><\/b>\u00a0\u00a0<\/span><\/p>\n \u00a0<\/p>\n <\/p>\n FIRST ROUND<\/span><\/p>\n JOHANN SEBASTIAN BACH <\/span><\/b>Violin Sonata No. 2 in A minor, BWV 1003<\/span> EUG\u00c8NE YSA\u0178E <\/span><\/b>Violin Sonata No. 4 in E minor, Op. 27<\/span>\u00a0 ERNEST BLOCH <\/span><\/b>Baal Shem, B. 47: Nigun<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n <\/p>\n SEMIFINAL\u00a0<\/span><\/p>\n FRANZ SCHUBERT <\/span><\/b>Violin Sonata in A major, \u2018Grand Duo\u2019, D. 574<\/span> LUNA PEARL WOOLF <\/span><\/b>L\u2019Inconnu.e bouleversant.e<\/span><\/i>\u00a0<\/span><\/p>\n GABRIEL FAUR\u00c9 <\/span><\/b>Violin Sonata No. 1 in A major, Op. 13<\/span> FRANZ WAXMAN <\/span><\/b>Carmen Fantasie<\/span>\u00a0<\/span><\/p>\n \u00a0<\/span><\/p>\n FINAL\u00a0<\/span>\u00a0<\/span><\/p>\n JEAN SIBELIUS <\/span><\/b>Violin Concerto in D minor, Op. 47<\/span>\u00a0 <\/p>\n <\/p>\n Pian<\/span>ist<\/span><\/span>: Jinhee<\/span> Park<\/span><\/span><\/span><\/p>\n \u00a0<\/p>\n Michael Shaham has is generously sponsored by Nancy Rowat and Ernest McNee<\/span><\/i><\/p>\n\n
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Programme<\/b><\/span><\/h2>\n
I. Grave\u00a0<\/span>
II. Fugue\u00a0<\/span><\/p>\n
I. Allemande\u00a0<\/span>
II. Sarabande\u00a0<\/span>
III. Finale\u00a0<\/span><\/p>\n
I. Allegro moderato\u00a0<\/span>
II. Scherzo: presto\u00a0<\/span>
III. Andantino\u00a0<\/span>
IV. Allegro vivace\u00a0<\/span><\/p>\n
I.\u00a0Allegro molto\u00a0\u00a0<\/span>
II. Andante\u00a0\u00a0<\/span>
III. Scherzo: Allegro vivo\u00a0\u00a0<\/span>
IV. Finale: Allegro quasi presto<\/span>\u00a0<\/span><\/p>\n
I. Allegro moderato\u00a0\u00a0\u00a0<\/span>
II. Adagio di molto\u00a0\u00a0\u00a0<\/span>
III. Allegro, ma non tanto\u00a0\u00a0\u00a0<\/span><\/p>\n![\"\"](\"\/wp-content\/uploads\/2022\/02\/Piano_icon-2022.png\"){kind=icon}
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